It is eight months since I last published a post here. The sudden arrival of an attack of shingles at the end of January put me out of action for about six weeks, then a slow recovery to full energy took me into the summer, and more outdoor pursuits; recording Thomas’s life is a winter activity.
However, events have moved on over the summer in a most pleasing way. Since my visit to the Sedgwick Museum last year, with an opportunity to see and handle some of the fossils collected by Thomas and deposited in the Museum by his mentor, Professor Thomas McKenny Hughes, the first three of Thomas’ journals have been accepted into the Museum’s collection, with the expectation of the other five joining them there as I complete the transcriptions.
Handling the fossils last year
Handing over the journals involved a trip to the scientific and archives site of the Sedgwick on the outskirts of Cambridge rather than going to the Museum building itself. After the administrative paperwork involved in giving articles to a museum – who has right of access, can images be published, and under what conditions, etc, Sandra, the Archivist, kindly showed me some of the items relating to Thomas’ work. First we looked at some of Sedgwick’s own notebooks. He also used quite a lot of his own shorthand to denote particular geological and paleological terms. His handwriting was tiny and not at all clear, I felt sorry for Sandra and her volunteer assistants as they attempt transcriptions.
Then we moved on to look at Thomas McKenny Hughes’ notebooks – a more easy script to read. It is not clear whether he refers to Thomas in the notebooks, but research of particular dates of expeditions involving them both might reveal some mention. It is a piece of research I might be able to undertake now that I have a formal link with the Sedgwick collections.
McKenny Hughes’ wife, a keen geologist herself, was also a very accomplished watercolour artist, and the collection includes her notebooks from times when she accompanied her husband in Britain and Europe with delightful watercolour landscape sketches.
From a research poster recording 19th century women geologists by the Sedgwick’s Archivist
So, mixed feelings as I returned home on the bus. The overwhelming emotion is relief that the journals are now safely secured in a museum – and not just any museum, but one founded by Thomas’s mentor, McKenny Hughes, and named for Hughes’s predecessor as Woodwardian Professor of Geology at Cambridge. I cannot but think that Thomas Ruddy would be delighted. As far as I am aware, Thomas himself never visited Cambridge. Alongside that, is a small feeling of loss that the journals are now out of my hands and out of my study. The many hours of transcription and the writing of this blog seem all the more important. Thomas has become one of the family.